"... dense and full to bursting ..."
MAYFLY GUESTS AT THE THEATER HOBBIT. It only has one day. And yet a whole life - dense and full. Hardly anyone lives as intensely as "The Mayfly" by "pohyb's and consorts". In just under 90 minutes, Stefan Ferencz conjures up a 24-hour biography - not chronological - on the stage that has it all. Motherly love, learning to walk or fly (multi-layered), departure, towards the light or the promise, searching, landing, arriving, trying, letting go, happiness and suffering. In fact, the whole palette of a whole life that may have some kind of conclusion with death, but doesn't really end. Something continues... One of the poetic goosebumps moments of the play. The fact that this fly sees the stage as its calling fits wonderfully, is a convincing metaphor and gives not only her, but also Stefan Ferencz, the opportunity to express themselves comprehensively, forcefully, humorously and meaningfully; without - in Slovak. That is surprising at first. But what is even more surprising is that it does not seem strange. Ferencz succeeds in doing that too: showing the audience in the truest sense of the word that there are words beyond language - communication is possible. And yet there is this loneliness. It is always there, but never oppressive, rather touching, because it conveys the mayfly's deeply concentrated desire to come to oneself, to be with oneself. And besides, we all know that crucial, existential things often have to be endured alone and dealt with by oneself. One of the great things about the program is that everything, even when it concerns deep and existential things, is permeated by a lightness (even the most physically demanding moments) that corresponds to the small, delicate creature that is the mayfly and enchants the audience. Stefan Ferencz does not play a mayfly - thanks also to the direction of his partner Maike Jansen - but is one. At the end, you leave and ask yourself whether "pohyb's and co." didn't just show us that our lives aren't all that different.